Category Archives: Movies

Halloween Movies 2022: What’s Your Monster Movie?

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According to this popular meme, mine would be Curse of the Disco Zombies, which sounds right, given I spent part of my youth reading horror comics in the 1970s, at the height of disco. No doubt it stars Jaaaahhhhn! Revolta, shambling his way through the cemeteries of Brooklyn while boogeying with Karloff Lynn Gore-y to the tunes of the Bees?Geez!. “Stayin’ Alive” takes on a whole new meaning when your dance partner is a zombie!

It’s a timely question, because in preparation for Halloween this year, we’ll be taking a look at what some of the cable-TV stations will be offering in terms of spooky programming on All Hallows’ Eve. And don’t worry—if you need a break from all the blood and monsters, you can always swing over to the Hallmark channels, which are already knee-deep in their Countdown to Christmas movie marathons.

Celebrating Christmas in October?! That’s terrifying!

So, getting back to the subject…what is your monster movie?

Horror Street: Nosferatu

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Welcome back to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!

This time around, we have an appearance by the nefarious vampire lord Count Graf Orlock, star of the classic 1922 German silent movie Nosferatu. I came across this mural in September 2021 along the border that connects the neighborhoods of Brooklyn’s East Williamsburg and Queens’s Ridgewood. No idea who the artist is, unfortunately.

Still, there’s no better time for the count to make his Horror Street debut than now, because 2022 is Nosferatu’s 100th anniversary!

Directed by F.W. Murnau and starring Max Schreck as the rat-faced, corpselike Count Graf Orlock, Nosferatu was an unauthorized adaptation of Bram Stoker’s novel Dracula, with character names changed and plot points slightly adjusted, in an attempt to avoid a copyright lawsuit—a ploy that ultimately failed when the Stoker Estate and its attorneys came calling; worse yet, they insisted as part of the settlement that every copy of the film be destroyed! 

Some prints survived, of course, and a very good thing that was, because Nosferatu is one of the greatest horror movies ever made, made memorable by the combination of iconic imagery from Murnau and cinematographer Fritz Arno Wagner, and Schreck’s fearsome portrayal of the monster. If you’ve never seen it, or haven’t watched it in some time, do yourself a favor and give Nosferatu a look.

So, happy 100th Anniversary to F.W. Murnau and Max Schreck and all the cast and crew of Nosferatu—you made an exceptional horror film that’s still thrilling fans to this day. Congratulations!

Be sure to check out my previous Horror Street entries. And stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places! 

StarWarp Concepts Heroines Assemble!

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As all fans of comic-based movies are aware, today’s the U.S. premiere date for Avengers: Endgame, the payoff to last year’s blockbuster, Avengers: Infinity War, and the culmination of a storyline that’s run through ten years of Marvel flicks. Reviews are positive, fan excitement is at a fever pitch, the Internet broke in half when everyone in North America attempted to log on to Fandango to buy tickets, it’s already on track to make a bazillion dollars…in short, it’s a good time to be Marvel Films.

The question is, who’s going to survive the final battle with Thanos, the Mad Titan who used the Infinity Gauntlet to wipe out half of all life in the universe in the final moments of Infinity War? There’s a chance the team might have some open slots in their roster by the time the war’s over, and that reminded me of an old Avengers comic cover during one of their recruitment drives—and who might be perfect candidates for reserve members…

Avengers221-Pan-Lori

I know who I’m voting for: Goth Girl and Temptress! 😀

“Goth Girl,” of course, is our very own Pandora Zwieback, teenaged Goth monster fighter and star of my Saga of Pandora Zwieback books and comics. Pan made her debut in the novels Blood Feud and Blood Reign, before starring in her own comic book special, The Saga of Pandora Zwieback Annual #1.

“Temptress” is Lorelei, SWC’s first lady of horror who’s celebrating her 30th anniversary this year. You can find her supernatural adventures in the Mature Readers graphic novel Lorelei: Sects and the City and the anthology comic Lorelei Presents: House Macabre.

Smart, funny, talented women who protect the world from monsters—who wouldn’t want them on their team?

Who will you vote for?

Vincent Price Defends Horror Movies

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So last Friday I was waxing philosophical on whether horror is something one can “outgrow” as you can get past your teen years. It wasn’t a question I’d ever contemplated, considering I still watch horror movies and read horror comics and write books and comics about monster fighters and succubi, but then again I never expected to encounter a Walmart cashier who equated being a horror fan with something only kids do.

“In Defense of Horror Films” was an essay penned by one of the great masters of the macabre, Vincent Price. It appeared in the fourth issue of Fantastic Monsters of the Films (a better-than-average knockoff of Famous Monsters of Filmland), published by Black Shield Productions in 1962. Fantastic Monsters was the brainchild of special effects artist Paul Blaisdell and horror and sci-fi enthusiast Bob Burns.

Vincent Price, as old-school monster kids know, is the legendary actor who starred in a ton of horror films like the original versions of House on Haunted Hill, House of Wax, and The Fly, along with The Tingler, The Last Man on Earth, and producer Roger Corman’s series of movies loosely based on the works of Edgar Allan Poe: The Raven, The Masque of the Red Death, The Tomb of Ligeia, and The Pit and the Pendulum. Younger Goths might recognize him as Edward Scissorhand’s Inventor in the Tim Burton movie. And if you’ve ever heard Michael Jackson’s zombie-danceoff classic “Thriller”… well, that’s Mr. Price you hear giving voice to such immortal lines as “The foulest stench is in the air / The funk of forty thousand years / And grisly ghouls from every tomb / Are closing in to seal your doom” and laughing like a lunatic at the end.

But being a master of horror isn’t all he was known for during his career—he was also a fine-art collector, a stage actor, and an acclaimed gourmet cook who penned cookbooks with his second wife, Mary (I spent Thanksgiving and Christmas last year making pumpkin pies following their recipe; they tasted awesome)—but yes, horror was his main genre. It makes sense, then, that Price would defend something that had been so good to him.

And so without further ado, ladies and gentlemen I give you…Mr. Vincent Price. (Click to embiggen, as they say.)

VincentPrice-Defends-Horror

Too Old to Be a Horror Fan?

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i-frankenstein“Frankenstein?!” asked the cashier at Walmart this past weekend, holding up the DVD of I, Frankenstein I’d just purchased.

“And Dracula,” I said, pointing to the copy of Dracula Untold that was next on the checkout conveyor belt.

“Dracula…” He laughed. “What are you, a teenager?”

Huh. Well, considering I’m…well, pretty well past my teenaged years, the answer would be no—but on the other hand, is there such a thing as being too old for horror? I wouldn’t have thought so, or else you wouldn’t have people like George Romero, who was still creating zombie movies in his seventies until the day he died, or Guillermo del Toro, who won two Academy Awards this year—Best Director and Best Picture—for the human-loves-monster-fishman story The Shape of Water.

dracula-untoldOutgrowing horror? Is that even a thing?

I mean, I can somewhat see the cashier’s point of view. Over the years I’ve talked to people who are surprised I still read comics, let alone write them, because they gave them up when they were young—they “outgrew” them. (They usually have two clichéd responses: “They still publish those things?” and “I used to read Archie comics—when I was a kid.”) The same thing with people who can’t imagine other adults still collecting toys. Funny they never find it strange to be a grown-up collecting sports memorabilia…

Anyway, the real reason I bought the two movies was because they were in the clearance bins in the back of the store: I, Frankenstein for $3.74, Dracula Untold for $5.00—low enough prices to get me to add them to my collection. True, neither of them was a blockbuster, but I, Frankenstein was created by actor Kevin Grevioux, who co-created the Underworld franchise starring Kate Beckinsale (he was also the right-hand man to Michael Sheen’s werewolf leader in the first entry), and Dracula Untold had been meant to function as Universal Studios’ revival of their monster-filled shared universe.

Okay, it’s true that Dracula Untold got tossed aside as the relaunch point in favor of Universal’s Mummy reboot starring Tom Cruise (which also tanked at the box office), as Dracula had tossed aside the Benicio del Toro–starring remake of The Wolfman that came out in 2010, and Wolfman had knocked over 2004’s franchise attempt, the Hugh Jackman vehicle Van Helsing. And although Aaron Eckhart’s a handsome guy and I liked his work in The Dark Knight and Battle: Los Angeles, I, Frankenstein simply lacks the visual attraction of a Kate Beckinsale in a latex catsuit. But they’re enjoyable-enough films and make for a good double feature.

Yo-FrankensteinThere’s also the fact I grin like an idiot whenever I remember that the Spanish-language title for the Eckhart film is Yo, Frankenstein.

Still, I don’t think enjoying monster movies is any reason for somebody to look down their nose at horror buffs, or fans of anything, really. I mean, I proofread manga and Japanese light novels for a major publisher and they’re not my thing at all—but then I’m not the audience for it, I’m just the guy making sure the English translation is spelled correctly. Do I look down my nose at the otaku? No—but I sure do scratch my head sometimes over the storylines they’re reading…  😉

So…too old for horror? Never!

A Movie Treat for Monster Fans

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frankenstein-edisonIf you’re a fan of classic monsters like Dracula, the Wolfman, and Frankenstein’s Monster, then you’re probably aware that 2018 is the 200th anniversary of Mary Shelley’s iconic novel Frankenstein, or the Modern Prometheus, first unleashed on the public in January 1818.

With that in mind, the timing couldn’t be better for the U.S. Library of Congress to make available a restored print of world-famous inventor Thomas Edison’s 1910 silent-movie adaptation—the first time Frankenstein’s Monster stalked the silver screen!

Frankenstein was a self-described “liberal adaptation of Mrs. Shelley’s famous story” by writer/director J. Searle Dawley that was produced by Edison and starred Augustus Phillips as Frankenstein (no first name of Victor given; he even signs a love letter “Frankenstein”!); Mary Fuller as his bride-to-be Elizabeth; and Charles Ogle as the monster. It runs just over 13 minutes but packs in a lot of melodrama—and scenery chewing—in that short time. (Well, overacting was a staple of silent movies.)

It’s also surprisingly gruesome in one scene. Although Frankenstein doesn’t dig up graves and sew corpses together but instead uses chemical magic to “grow” his monster in cauldron-like pot—one of those liberties taken by Dawley in his screenplay—the transformation of the creature from smoking chemical vapors to full-size horror involves a stage when it bubbles up into a gore-covered skeleton whose twitchy right hand seems to be grasping for the audience—I’m sure it scared the crap out of moviegoers back in the day!

Do yourself a favor and check it out!

Halloween Horrors: Holy Infinity War!

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Creepily timed for Halloween, may I present the graves of…Antman and the Wasp!

Antman-Wasp-Graves

Yes, the graves are real, but they have nothing to do with the Marvel superheroes, or the outcome of the “Snapocalypse” carried out by the “mad titan” Thanos in the box-office megahit Avengers: Infinity War. I took the Antman photo in 2013 at Sleepy Hollow Cemetery, NY, and the Wasp photo in 2016 at Calvary Cemetery in Queens, NY.

Pretty wild, huh? And any similarities to (spoilers!) the ending of Ant-Man and the Wasp are purely coincidental…

My Favorite Issue of Marvel Team-Up

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Spidey-Pan-TeamUp

Okay, so maybe it’s not a real comic-book cover—ya got me! But with Spider-Man: Homecoming—the first Spidey film set firmly in the Marvel Cinematic Universe—opening in the U.S. today, and both Spidey and Pan hailing from the New York borough of Queens, it only makes sense that they’d get together, right? Especially since the new movie Spidey lives in Pan’s (and StarWarp Concepts’) neighborhood of Sunnyside!

Spider-Man art by Ross Andru and Dick Giordano, from the back cover of 1976’s Superman vs. The Amazing Spider-Man: The Battle of the Century, one of the greatest team-up stories ever. Pan art by Eliseu Gouveia from The Saga of Pandora Zwieback #0, our free digital comic (download it today!).

And if you like this heroic meeting, then take a look at this post from June 2015, when Pan novel cover painter Bob Larkin teamed Pan up (at my suggestion) with one of the greatest pulp-era heroes of all time: Doc Savage, The Man of Bronze! Pan sure loves her crossovers!

Scream Factory Turns This Week Into 5 Nights of Fear

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NightbreedposterHorror movie alert! Starting tonight and running through Friday is 5 Nights of Fear, a monsteriffic event from home-entertainment company Shout! Factory to celebrate the fifth anniversary of its Scream Factory imprint. The movies they’ll be showing during the week are:

Monday, June 12: Nightbreed: The Director’s Cut: Writer/director/author Clive Barker’s 1990 follow-up to his big-screen directorial debut Hellraiser never reached the pop-culture status of Pinhead’s cinematic adventures, but it still has its fans. Starring Craig Sheffer, Anne Bobby, and David Cronenberg (acting this time instead of directing), it’s the tale of Aaron Boone, a man who discovers he’s one of the Nightbreed—a race of monsters who’ve hidden their existence from humanity. But the real monster is Aaron’s psychotherapist, who’s a serial killer in his spare time.

bad_moon_xlgTuesday, June 13: Bad Moon: This often-overlooked werewolf film from 1996—based on the novel Thor by Wayne Smith (Thor being the dog in the story)—stars Michael Paré (Streets of Fire) as Ted, the creepy brother of single-mom Mariel Hemingway (Star 80), who’s trying to make ends meet while raising her son. Unfortunately, Ted has a habit of unleashing his murderous inner beast when the moon is full, and the only one who can stop Tedwolf from making a meal of his sister and nephew is Thor, the family German shepherd. Yes, a non-talking dog is the protagonist of this not-for-kids flick that culminates in Ted going full monster, with the best-looking practical-effects werewolf suit I’ve seen since the original Howling.

Wednesday, June 14: The Exorcist III: Author William Peter Blatty didn’t just start the exorcism craze with his 1971 novel The Exorcist (which he then adapted for director William Friedkin’s memorable 1973 film), he also took the director’s reins for this 1990 adaptation of his 1983 sequel novel, Legion. Acting legend George C. Scott (Patton, The Changeling) is Lieutenant Kinderman (played first in The Exorcist by Lee J. Cobb, who died in 1976), who’s investigating a series of gruesome murders that mirror the style of a serial murderer dubbed the Gemini Killer—problem is, Gemini has been dead for seventeen years. The trail of clues leads Kinderman to a psychiatric hospital, and an encounter with another character from the original Exorcist—one everyone thought was dead…

exorcist3Thursday, June 15: Hellhole: This 1985 thriller is one of those exploitative “inmates running the asylum” type of psychiatric institution horror tales. After her mother is murdered by a serial killer named Silk (Ray Sharkey), a traumatized and amnesiac Susan (Judy Landers, a regular of 1980s TV shows) is committed to an institution run by an evilly crazy doctor who likes to perform chemical lobotomies on his patients—and he’s got his sights set on the new girl. And then to make matters worse Silk shows up, looking for Susan…

Friday, June 16: Rabid: Wrapping up the week is this 1977 take on the zombie-epidemic genre by writer/director David Cronenberg (The Fly, The Dead Zone, Videodrome). Rose (played by adult film star Marilyn Chambers) is seriously injured in a traffic accident and undergoes experimental reconstructive surgery, with an unexpected result: it leaves her with an appetite for flesh and blood, and her victims turn into ravenous zombies. It’s as gory and body horror–oriented as you’d expect from a Cronenberg film, so be prepared to look away if you’re not into that kind of stuff!

Of course, the reason for these selections is that all five films are available on DVD and BluRay from Scream Factory, so if you like them enough to want to own them after you’re done watching, they’re not that had to track down. Additionally, Shout! Factory TV has a slew of horror movies you can stream for free right now, including the George Romero/Dario Argento collaboration Two Evil Eyes; Larry Cohen’s Q, The Winged Serpent (one of my favorites, about a monster living in NYC’s Chrysler Building); and episodes of Mystery Science Theater 3000 and Elvira’s Movie Macabre.

5 Nights of Fear starts each night at 10 p.m. ET/7 p.m. PT on Shout! Factory TV and Pluto TV Channel 512. For more information, visit the Shout! Factory TV website.

Even a Mummy Can Use a Hand, Sometimes

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Mummy-HandAs I mentioned yesterday, today’s the U.S. release of The Mummy, Universal Studios’ new take on their old horror-movie franchise. So with that in mind, I figured it’d be the perfect time to reach into the horror-comic archives and pull out a classic one-page tale of the bandaged dead: “The Mummy’s Hand”! Click on the image to embiggen, as they say.

First published in Star Publications’ Ghostly Weird Stories #120 (cover-dated September 1953), “The Mummy’s Hand” was written, drawn, and colored by New Jersey native Jay Disbrow, a cult-favorite comics artist who passed away on May 2nd of this year, at the age of 91. The height of his popularity came during the 1950s, when horror comics were all the rage and Disbrow got to draw all sorts of weird and creepy monsters until the censor-heavy Comics Code Authority came along and put an end to the fun (but not for long!). But the CCA didn’t put an end to Dusbrow’s talents—he kept writing and drawing his own indie comics right up to 2005, creating such sci-fi characters as Captain Electron, Aroc of Zenith, and Lance Carrigan of the Galactic Legion.